People, by nature, have some interesting things to say.
Here are some of my things. Some about acting. All about living ...
Sunday, June 23, 2013
Didn't get the gig? That's your fault.
My personal bias?
Resumes and candidates have gotten crappier across the board over the years.
(And, yes, I do mean "candidates have gotten crappier", not "candidates behavior has gotten crappier". The latter abstracts accountability from the infractor, and the former let's it land where it belongs -- Behavior doesn't define a person, but is a reflection of who that person already is.)
I've found all of this to be far, far worse in the acting and video game worlds.
So, while I don't agree with all of the points in this slide deck (some are distinctly legacy), there are some good tips here -- Even if you're not a recent college grad. And probably especially if you think none of this applies to you.
Part of the glut of sub-par submissions is an overall societal decline in personal accountability, and a correlative increase in a sense of entitlement & arrogance (which is invalid anyway, but especially for new entrants who haven't earned anything, and for long-time, experienced folks who who are lazy and don't bust their ass daily to stay relevant).
I know these industries -- I'm a professional actor and a video game studio owner.
At times, I get so blindingly frustrated with the amateur behavior of things like assistants to casting directors, agents, and managers who can't manage people or events to a clock, or non-experience folks who want to get into the game industry, but have done no research, or passionately chased their own development projects.
A while ago, I sat across the table from a guy who I'd coached for an entry level position interview at another company. He didn't get the gig, didn't do any of the things I suggested as prep, and he blamed not getting the job on "nepotism", "unfair bias", and "them not seeing how great I am".
"I see the problem," I said. "You're a lazy, self-absorbed jerk who doesn't want to contribute positively to people outside of yourself. That's on you."
(His response was I have unreasonable expectations for people. I really wish I could say this was a unique sit-down event.)
Anyway, as a bonus, these slides' retro-50s visual juxtaposition and tongue-in-cheekedness is fun, too.
http://theundercoverrecruiter.com/graduates-lose-out-jobs/
Tuesday, February 26, 2013
The Film Industry Needs the vFX Industry (and Everyone Else)
I had planned to start (what I hoped was) a balanced, transparent discussion of just how complicated this thing really is, dig into the usury business model that contributes to it (not limited just to film), the pros and perils of unionizing, and so on.
But then I thought, "Well, this isn't just about visual effects -- We actually need everyone involved in making films."
Everyone.
(Remember the writer's strike? That was painful, and 6 years later, as just one side effect, we're still saddled with the overabundance of reality TV that is not reality, but is very much a bulk of our TV.)
Visual effects isn't just about Life of Pi or Star Trek. It's Amour and Lincoln (and Lincoln (and Lincoln)) and Django Unchained and Silver Linings Playbook and ...
... and ...
... and, well, all of them.
Visual effects are there in so many movies to more or less "obviousness", and outside of the "vFX CGI blockbusters" (and I'd argue, even within them), good effects are like good voice acting and good music and good acting and good everything that's solid and well-implemented and if you choose to step back and take the time you say, "That's amazing" but if you don't step back you don't notice their teh awesumz because well-done stuff doesn't get in the way.
But this is already going long, so to make the point, I offer you Exhibit A:
I need the professionals who do this ****. I don't want that art missing from The Art. (And I don't want untrained uninitiates like me breaking the fourth wall with our awful.)
Need more? I offer Exhibit B:
Zomigosh, I need vFX and wardrobe and makeup and writers and directors and grips and gaffers and composers and audio designers and editors and producers and DPs and ADs and casting agents and set decorators and storyboard artists and art directors and craft services and audiences and the dozens of other disciplines that are probably going to get a hold me for leaving them out of this knowingly abbreviated list.
Hey, despite my love of and belief and participation in independent film, that doesn't mean I'm ever out there solo without other passionate, talented folks who mesh with my passion and talent as we all drive to something greater than I can do by myself. In a vacuum. Without visual effects.
(You do not want that.)
Sunday, September 11, 2011
Fall 2011 TV
I'll be watching a lot of it, because (A) I'm supposed to "as a actor", to see what's trending, and where there might be dayplayer or co-star roles for me, and (B) because I likes it.
So, outside of college/NFL football and hockey, below is my subjective list of most-anticipated new and returning TV shows. Let me know in the comments which shows to which you're looking forward.
I've got a Google calendar I'll share with "select" folks if you request it (if I know/trust you; I don't like how Google exposes my Email in a shared calendar, so I'm not going to make the calendar public).
CliqueClack TV has a decent iCal / Google calendar of the entire fall lineup, though I did notice a few of the start dates/times are bit off.
Here's my list, organized by network (check local listings for final dates/times):
New Shows:
- ABC
- Charlie's Angels -- Yeah, I am looking forward to this TV treatment of a movie treatment of a TV series. TV life's come full circle, and this could be a fun, Alias-lite type show. (Sept. 21)
- Last Man Standing -- Tim Allen returns to TV, along with Nancy Travis. I'm hopeful Allen has matured as a TV actor beyond the endearing schlock of "Home Improvement", and I like (and identify) with the conceit of a parental-role-switch-cum stay-at-home dad trying to maintain his manliness in the midst of raising daughters. (Oct. 11)
- Man Up! -- There are a few shows that make me angry for missing the pilot season casting call, and"Man Up!" is one of those. The log line sounds like someone's been following me and two of my friends with spy cams: "Three best friends -- all in various stages of relationships -- struggle to define their lives as modern men. They're sensitive, play video games and use body wash, but strive to maintain they are are still manly men." It's not a sitcom -- it's a reality TV show of my life. (Oct. 18)
- Once Upon a Time -- Dunno why I so like Jennifer Morrison, but there it is. This is one of two fairy-tales-are-real TV series this fall (coincidence? Leaky pitch?). The premise is Morrison is the daughter of Snow White and her Prince Charming, and the various other princesses, prince charmings, and villains of what feels like live-action treatments of largely Disney-esque fairy tales (it is ABC, after all) have been moved forward and trapped in time in the little town of Storybrooke (hopefully, the rest of the series will be less heavy-handed). (Oct. 23)
- Charlie's Angels -- Yeah, I am looking forward to this TV treatment of a movie treatment of a TV series. TV life's come full circle, and this could be a fun, Alias-lite type show. (Sept. 21)
- CBS
- Person of Interest -- OK, it's a suspense series with Michael Emerson and Jim Caviezel, backed by J.J. Abrams and Jonathan Nolan? I predict strong characters and edge-of-seat moments, sub-threads that twist and resurface, and my butt in a seat watching it Sept. 22. (Sept. 22)
- Person of Interest -- OK, it's a suspense series with Michael Emerson and Jim Caviezel, backed by J.J. Abrams and Jonathan Nolan? I predict strong characters and edge-of-seat moments, sub-threads that twist and resurface, and my butt in a seat watching it Sept. 22. (Sept. 22)
- CW
- Ringer -- Sarah Michelle Gellar is pretty amazing, and gutsy as an actress; I'm hopeful this network-homecoming-of-sorts really stretches her, and shows critics what she can do. Part of the magic is she's in dual roles as a Vegas showgirl ditching the mob and fleeing to New York (oh, the irony!) where her socialite twin has just disappeared. Sexiness! Suspense! Mystery! Sanctioned actress split-personalities! (Sept. 13)
- Hart of Dixie -- I could pawn this one off as a concession I'm making to watch at least one show with my wife this fall, but the truth is, I'm looking forward to this. Rachel Bilson stars, and she made a good impression on me in "How I Met Your Mother" and "Chuck", so I'm I'm glad she's getting a leading role. "Friday Night Lights" Scott "he-should-have-been-cast-as-Green-Lantern" Porter plays a possibly predictable love-triangle interest, but I'm excited to see him show off another facet of his beefy acting chops. (Sept. 26)
- Ringer -- Sarah Michelle Gellar is pretty amazing, and gutsy as an actress; I'm hopeful this network-homecoming-of-sorts really stretches her, and shows critics what she can do. Part of the magic is she's in dual roles as a Vegas showgirl ditching the mob and fleeing to New York (oh, the irony!) where her socialite twin has just disappeared. Sexiness! Suspense! Mystery! Sanctioned actress split-personalities! (Sept. 13)
- FX
- Terra Nova -- I'm thinking this is "The Lost World" / "Land of the Lost" (minus the cheese) for our generation, and Steven Spieldburg is the name Executive Producer attached to the show. But there's a strong production pedigree for this show with the likes of Craig Silverstein, who EPed "Nikita" (also back for another season), and has his hands in "Bones"; co-producer Livia Hanich, who was involved in "Pushing Daisies"; René Echevarria, who EPed everything from "Dark Angel" to "The 4400"; and Peter Chernin just came off of producing the Rise of the Planet of the Apes film. (Sept. 26)
- American Horror Story -- Okay, if I can withstand the creepiness factor (teaser trailers are freaky), I'm on-board for this Dylan McDermott / Connie Britton / Jessica Lange family drama / TV occult suspense show about a family that moves from Boston to LA, and finds their new house haunted. This is going to be a tough conceit to hold onto for the long haul, so I hope they find a way to give it legs. (Oct. 50)
- Terra Nova -- I'm thinking this is "The Lost World" / "Land of the Lost" (minus the cheese) for our generation, and Steven Spieldburg is the name Executive Producer attached to the show. But there's a strong production pedigree for this show with the likes of Craig Silverstein, who EPed "Nikita" (also back for another season), and has his hands in "Bones"; co-producer Livia Hanich, who was involved in "Pushing Daisies"; René Echevarria, who EPed everything from "Dark Angel" to "The 4400"; and Peter Chernin just came off of producing the Rise of the Planet of the Apes film. (Sept. 26)
- NBC
- Up All Night -- Granted, my main interest in this is cathartic, but this Will Arnett / Christina Applegate comedy about sleep-deprived parents is getting great early buzz. (Sept. 14)
- Prime Suspect -- I'm worried about the staleness of the backdrop (lady dick trying to make it in a male-dominated police workforce), but it's Maria Bello, for crying out loud (A History of Violence). And not to be creepy, but I could watch her just sleep every episode. (Sept. 22)
- Grimm -- Show number 2 of the fairy-tales-are-real TV fall series sees "Privileged" alumn David Giuntoli as a homicide dick who can see
deadmythical (mythological?) people through their faux human skins. I'm hopeful this is "Fringe"-fun-esque, but I'm mostly interested in "Prison Break" ex Silas Weir Mitchell playing a wolf (he looks like a wolf, so I'm glad he gets to play one). (Oct. 21)
- Up All Night -- Granted, my main interest in this is cathartic, but this Will Arnett / Christina Applegate comedy about sleep-deprived parents is getting great early buzz. (Sept. 14)
- Starz
- Boss -- Kelsey Grammer is a loud, cruel, secretive Chicago Mayor Tom Kane, and playing deliciously against type. (Oct. 21)
- ABC
- Dancing with the Stars -- I can't say why; I just might have to watch this season. (Sept. 19)
- Dancing with the Stars -- I can't say why; I just might have to watch this season. (Sept. 19)
- CBS
- Survivor -- I've watched every season since this show started, and it's become more of a curiosity endeavor, and not really borne of any fandom. They just ... keep doing it. Is Jeff Probst enjoying the gig while it lasts, or living in desperate fear of it ending? I hope it's the former; good for him. (Sept. 14)
- How I Met Your Mother -- It hasn't jumped the shark yet, and if you're not a fan of the series, that's fine. But let's never talk about it together if that's the case. Ever. (Sept. 19)
- Hawaii 5-0 -- Haters dog the series as "CSI"-lite, but I have trouble staying engaged in the 18+ series around that franchise. Occasionally, though, "Hawaii 5-0" does something great, and I'm all in. Besides, the Season One cliffhanger did enough to hit "reset", while keeping the bigger story arcs intact, that I'm looking forward to what they do with the series's new headroom. (Sept. 19)
- Big Bang Theory -- Polished sitcom material dressed in a comfy geek housecoat, how I miss you. Costant digs at geekdom, nerddom, intelligentsia, and failed acting all keep me entertained ... and humble. (Sept. 22)
- The Amazing Race -- As far "Reality TV" goes, here's a PSA: It's not real, it's scripted, staged, and hermetically edited. "The Amazing Race" is tolerable for me, because it's really more competition-esque, with less drama than others of its ilk, and I get a free travelogue with interesting happenings in between. Plus, I like Phil Keoghan; seems like a really nice guy, passionate about not wasting any moment in his life. (Sept. 25)
- Rules of Engagement -- I've not been following this show lately, but I want to get back onto it. I so dig Patrick Warburton, and Megyn Price is a seriously under-appreciated actress. (Sept. 24? Oct. 8?)
- Survivor -- I've watched every season since this show started, and it's become more of a curiosity endeavor, and not really borne of any fandom. They just ... keep doing it. Is Jeff Probst enjoying the gig while it lasts, or living in desperate fear of it ending? I hope it's the former; good for him. (Sept. 14)
- NBC
- Community -- Consistently under-the-radar, and consistently great, it keeps reminding me I shouldn't think I know what to expect from a caliber sitcom. (Sept. 22)
- Chuck -- I so love this heartistic series (that's right, I'm using "heartistic", and applying it to "Chuck"; deal). Sure, they've already said this is the final season, and yeah, the log-line for the season sounds like an entire season of jump-the-shark. But before they announce the world's greatest flawed super spies are going to have a baby, I'm all in with Chuck, Sarah (she does all that emoting .. in a second language), Morgan, Casey, Ellie, Captain Awesome, and Jester. (Oct. 21)
- Community -- Consistently under-the-radar, and consistently great, it keeps reminding me I shouldn't think I know what to expect from a caliber sitcom. (Sept. 22)
- TV Land
- Hot in Cleveland -- Just for Betty White. (Nov. 30)
- Hot in Cleveland -- Just for Betty White. (Nov. 30)
- USA
- Psych -- I'm late to the party, but I so follow a show I passionately believe I could do. I'm more than midway through catching up on the entire series, and as fun and goofy as this series can be, every once in a while James Roday, Corbin Bernsen, Maggie Lawson give these moments of absolutely brilliant acting ("I'm close-talking") that makes the series so, so much more fun. (October 12)
Other TV/Episode links:
(And, yes, I did say, "lady dick" up there. I'm prepared for disappointed Google landers.)
Wednesday, July 27, 2011
Inspiration and creativity (within constraints)
This my be one of the more poignant, beautiful bits of independent / contest film work I've seen in some time. But I seem to be more sensitive to this theme lately.
The "Porcelain Unicorn" was written and directed by Keegan Wilcox, and was the grand-prize winner for the Philips Parallel Lines "Tell It Your Way" international competition.
What makes this film all the more startling to me is its beauty underneath the contest constraints -- while entires could be any genre, told in any way, they had to follow six specific lines of dialogue from the Parallel Lines films:
- "What is that??
- "It’s a unicorn"
- "Never seen one up close before"
- "Beautiful"
- "Get away, get away"
- "I’m sorry"
Add to that the constraints and successes that get me stoked about the Biz: Wilcox has a small, tight-knit production company in LA, and they put the film above together start-to-finish in under two weeks.
Out of more than 600 entries, films were narrowed down to 10 finalists by a judging panel from Ridley Scott Associates (RSA), British Academy of Film & Television Arts (BAFTA) and Philips (the electronics folks), based on creative and original storytelling, interesting use of the Parallel Lines dialogue, and technical achievement. The film was selected by contest marshal and director Sir Ridley Scott, because "it had a very strong narrative; a very complete story that was well told and executed."
The contest film was inspired by Wilcox's grandfather’s war stories, and the "hero’s journey" of a Joseph Conrad novel.
As a reward for winning, besides being promoted six ways to Sunday by Philips, Wilcox will work for a week onsite at the Ridley Scott Associates offices.
Projects like these take a ton of talent people, so be sure to check the link to recognize those fine folks, and the runners up and People's Choice winner are good films, too.
Sunday, January 23, 2011
Updated Acting Resume
(It also felt like a good time to update my toy job print and profile resumes on LinkedIn, too.)
Saturday, December 19, 2009
Fede Alvarez and Ataque de Panico!
Man, I so love to see this kind of thing.
First, Neill Blomkamp with what was "Alive in Joburg" becoming District 9, then Timur Bekmambetov with "9" (which became, uh, 9), now another independent film maker, Federico "Fede" Alvarez -- who's been scrapping through at least 3 previous films since the turn of the century -- gets Hollywood attention for his short trailer, "Ataque de Panico!" (Panic Attack). And, in Hollywood, "attention" means "money".
So Alvarez is now getting recognition outside of his native Uruguay, $30 million, and -- probably most importantly -- a business relationship with caliber production studio Ghost House Pictures (Sam Raimi? Writer of Spiderman 3 (director of all 3)? Director for everything from Evil Dead to Darkman?)
Neat Cinderella story, and it’s so cool to see a guy who’s been working his tail off in film for at least the last 9 years pocket $30M – and better, build a business relationship with someone like Raimi.
Here's the music video version South American rock / punk band SNAKE, if that's more your thing.
And -- quick rant -- I hope I stop seeing Alvarez called an "unknown". Dude's been working hard for nearly a decade. He's unknown to some U.S. folks. But not for long.
Monday, October 12, 2009
Networking is hard
Thursday, August 20, 2009
Resume, voice, and industrial updates
Sunday, August 17, 2008
Adam's POV
It's entitled "Living a Life of Desperate Creativity (Take 1)" It's tertiarily about my recent move from my established acting scene in Austin and my trying to make inroads in North Carolina. What it's really about is how important this whole acting thing is to me and about personal accountability in my craft. Wonderful, scary stuff.
Check out the column, let me know what you think, and take advantage of all of the wonderful resources Bonnie provides across her myriad sites. She's one of those precious ones that loves the Biz and loves actors, and is busy in the industry six ways to Sunday -- but it's not in a "frantic, scattershot, undirected way"; rather, it's a focused, "I'd rather burn out than fade away" kind of way. Bonnie's a gift.
Enjoy ...
Sunday, January 27, 2008
Love ya! Mean it!
I really like that burg. I like the glitz, the glamour, that it feels like everyone (CEOs to baristas) work really hard to keep up appearances -- hell, I even genuinely like driving in LA (other than in torrential rain).
I met with a lot of brilliant people at a bunch of different (and different types of) companies. I'm a studier of people, and I'm fascinated by people navigating (or navigating badly) perhaps the weirdest social network in the world.
Here are some of my observations.
Treat receptionists, administrative assistants, and personal assistants well. I'm a firm believer in being a respecter of persons independent of role, folks in these roles work ridiculously hard, and I'm grateful for the work they do. Add to that the power these people have in this geography, and you'd be hard-pressed to justify abrasiveness in these situations. I literally shook my head at a visitor blowing off someone behind the front desk, and then almost laughed out loud when they didn't get in to their scheduled appointment.
There was even a scenario where I let a PA set up my laptop for a presentation. I'm super tech saavy (and obviously know my own computer), so while this was a no-brainer for me, this was part of his job for this meeting. Me canning my ego and getting out of his way made the setup faster than it would have been with us both trying to do it, and showed his competence to the bigger group.
Get names right -- especially names of important people in the Biz. Say you're talking to "Grand Pooba A" for a media deal, and you keep miss-calling him "Grand Pooba B". And it turns out "Grand Pooba B" is his peer, and they're at odds with each other as to how they each see the project moving forward. Mixing up names is a bad move anyway (it implies you don't value the person), but in this glitterati scenario, it can remove you from the game.
Leverage the superficial. People in the Biz are some of the most brilliant and creative folks anywhere. But I've been in conversations where they've dismissed me, and doing something like pulling out a super-sexy, little-known phone (not the iPhone -- that's so last year), can bring attention back to me. I don't want to manipulate, but I do pay attention to subtle cues so I can leverage common ground that we're all excited about.
Love the franchises. The meetings I took last week were gifts. Part of what made them gifts (aside from busy, talented people taking time out of their production schedules) is the meetings were all built around creative franchises core to how I grew up or where I am now. Being able to connect with artistic and technical folks at a fanboy level made the conversations more exciting, collaborative, and productive. Plus, in many ways, I am arguably the target audience for at least three of the projects, so that sanity check validation was key for them and for me. This is my personal favorite, as it's so fun. To get to work on the stuff I love? True giftage.
I got a ton more out of last week, but this post already has the double whammy of being a bit preachy, and overly vague as I steer clear of exposing the actual meetings or franchises.
So I'll call this bit o' rambling good for now, and hope it was helpful for folks who maybe dismiss the importance of these little social bits.
Tuesday, November 06, 2007
WGA strike
You can catch some good pithy insights and links to supportive and antagonistic thoughts on the strike on the DealFatigue blog (and Peter's an insightful, good guy).
But let me talk about why I'm bummed.
I'm bummed because, as a consumer, shows are being put on hold, indefinitely. First casualties were things like Leno, Letterman, Colbert, and Stewart. Shows like Rules of Engagement and Two and a Half Men followed suit. Heroes may go into early re-runs, which it will likely survive, with its rabid fan base. But my being bummed as a consumer is a wee bit selfish.
I'm more bummed because striking writers may be responsible for killing shows like "Friday Night Lights". Almost cancelled after its first season, it's seen new life in a second season on Friday nights. While many folks have cried foul on a time slot where "shows go to die", it was actually probably a strategic network decision -- with little ratings expectations for a Friday night time slot, "FNL" arguably only needs to marginally well to get moved to a better slot in the short term, or renewed for a third season in the medium term.
There are good folks on "FNL", and they're twiddling their thumbs and losing work and may need to go on to other things which will kill that show (if waning interest from early reruns doesn't do it first). And it's the one network show filmed in Austin, so if you pull that, you impact that acting and commercial community.
I'm bummed because this strike probably takes WGA out of the video game opportunity they've obviously been pursuing.
And, yes, I'm bummed that, as a working professional actor, I'm impacted by this strike. Projects I was up for are on hold -- TV, movies, advertising, voice over, and the like. Anything touched by WGA talent.
And I'm bummed, because -- not to be alarmist -- with a stoppage in writing work and slow down in ancillary work, shorting of advertising spend, an indeterminate strike period before being ended by a likely mutually unfulfilling compromise, followed by a return of writers to network slots populated in their absence by reality and game show TV not needing as many of their services, this strike could cause or exacerbate a nationwide recession.
I saw an interesting comment from one of Letterman's writers saying he though many of the strikers didn't realize how emotional the strike would be, because there are other people who are there friends, who are hurt, and "it isn't their fight."
I don't want to be disrespectful, but ... duh.
Peter's more measured about it:
"... a strike would seriously harm the overall health of the industry. EverybodyAnd:
involved knows that."
"... a strike is a lose-lose outcome for everyone in the business; the writersThere are pros and cons to unions and strikes. I'm not the guy to debate that.
in particular, regardless of any gains for the Guild at the negotiating table."
But should a group have this kind of potential impact on people outside of the group's affiliation?
Or am I overstating the impact?
Friday, October 12, 2007
My brand ...
The initiating question was simple (ha!):
Is there one word, a pinnacle, that describes you? What is it? Why?First, yes, I laughed at the wording of the second part of the question. But that's because I'm horribly immature. And I just realized I want that on my headstone ("Adam Creighton: He was Horribly Immature").
-if you have a package, show us that too!
So how do I respond to a question like this? Because, honestly, it's a hugely important question, and I take an active role in packaging "Adam Creighton" as a brand.
Just one word? How do you even do that? One of my pet peeves is the reductionism of the individual -- none of us can be reduced to one word.
One word? Maybe "Integrity" -- I'm willing to lose a job for my integrity, suffer the slings and arrows of critics, yadda yadda yadda.
Two words (and another facet)? "Professional Creative" -- It's a differentiator for me from many of the folks that are the former or the latter. Not that it's a competition (I've written on that many times before; read the whole post for the "competition nugget").
A "branding package"?
Yeesh / [snicker]. Uh, here are a few:
"Technology Manager. Independent Creative. Llama Wrangler."I don't like the idea of answering this question, because I don't know how I keep it keep it from coming off as being self-aggrandizing or braggadocio.
"A Voice & Film Actor, living a Mortal life."
"Living a passionate, ecstatic, and urgent life."
But here goes. ;-)
Honestly, I professionally see myself (Adam Creighton) as a brand, and all of the things I do are products and services that are logical extensions of that brand. And I actively and constantly work on my brand.
- Voice Actor Adam Creighton.
- Film Actor Adam Creighton.
- Business and Technical Development Adam Creighton.
- Tipping Point Adam Creighton that connects people to create mutual opportunities (business, technical, financial, and support).
- Video Game Adam Creighton (twenty thousand monthly readers can't be wrong; and wait for bigger things on this front).
- Toy Collector Adam Creighton.
- Guitar Player Adam Creighton.
Do you know me personally? Do you find any common thread there?
Integrity? Professionalism? Creativity? Immaturity?
Erm (again). Very little good comes from late night blogging.
Now, if you'll excuse me, I'm going to do a still photo shoot of some new toys, and then play some video games. Because I just finished reading a 115-page script I'll be table reading for the Austin Film Festival Sunday.
(How's that for self-aggrandizement?)
Monday, October 01, 2007
Nice headshot

Another new headshot of which I'm particularly fond isn't mine -- it's a new one for Marc Hustvedt -- who was a fellow Austin actor who's now become a successfully working LA actor. This pict is by photog Dennis Apergis, and is a great dual-purpose (at least) commercial and comedic headshot (it almost screams, "Put me on 'The Office'!").

Tuesday, September 04, 2007
And the Award Goes to ... Mona Lee
Below is a note actor, coach, and inspirational creative CK McFarland sent out to the Austin film community in recognition of fellow actor, coach, and inspirational creative Mona Lee, one of my film coaches.
I've asked CK's permission to post her note in its entirety here for broader awareness. I've added links for context. The commentary afterwards is all me. ;-)
For years I have wanted to see the Austin Film Community Host some Film Awards, similar to the ACOT Awards. Yeah I know they give them out at the airport to big name celebrities who have gone off and made us proud, and other celebrities who have passed through and made us look good.
But I'm talking about true Austin Awards acknowledging the truly great folks who have stayed, and not just actors, but other members of our community who have been dedicated, and worked so hard for us all. Oh yeah there are those few who continually get their name and picture in the paper , because they have helped put us on the map, and continue to do so. But there are also many other wonderful folks who have contributed in major gigantic ways to make a difference.
This is a tough profession, though not as hard as soldiering or coal mining. But there is perhaps no greater competition than being an actor, due in fact, to the sheer multitudes of those seeking dreams. Yet many (here) don't even have a clue what they are up against, the dedication to training it takes, or the number of actors they are competing against who have been thoroughly trained.
But within our multitudes, there are actual real live great actors living amongst us. Actors comparable to the best in our Movie Magazines. And some who even work a lot, particularly the men. Congrats guys. But I want to tell you about one actor I saw work on stage at UT a while back. OK, it was 30 years ago let's say. She was playing the outrageous role of Claire in A Delicate Balance by Edward Albee. Now I was in a special private acting school in California and was home to visit the folks. I went to the theatre and saw my first ever real true brilliant actor on stage. I had never in my life seen anything like this woman and the role she played, and it was breathtaking and galvanized my memory to this day. I believe she went on to Julliard from UT and made quiet a name for herself. Well I remembered her name - Mona Lee.
Mona Lee put us Austin actors on the film map. Our roots can be traced back to her. She is the source, the spring from which much of this sprang. When I moved here in 1980 and began a professional theatre ( with the Tuna Boys and Marco Perella) I hired her to coach the company. But she wasn't just coaching theatre actors, she was showing all the Austin actors how to transition to film and what we needed to do to accomplish that. She turned our heads right around and showed us we could be film actors right here in little ole Austin. And she's still doing that. And there is no better helpmate than her BIZ book - which every one of you should have by the way.
Now I am just sitting here at the end of the Labor Day struggling to figure out how to get my classes full, and thought of where it all started and why. It always goes back to Mona, my friend and my competitor (both as a coach an an actor). And I just might shoot myself in the boot giving her all this publicity, but I don't care. Because acknowledging people is so important. And so I acknowledge Mona, not just for her coaching and her BIZ book, but her history with us - a director writer producer and vital and amazing actor who lives amongst us.
She is the reason I have wanted to start some sort of Austin Film Awards So we could give her a the first one and say 'thank you Mona". Good God people need to be acknowledged and I just wanted to start at the beginning. I guess I'll go get something engraved.
ck
I studied with Mona in her beginning and intermediate classes. She had a subtle style that got a lot out of me. And despite being an active coach and working actor, she's also very available.
All of the stuff CK says is pretty inspiring by itself, but carries even more weight and import coming from her.
CK has herself and inspired and pushed so many actors in their craft, and done so much for the Austin creative community.
My current coach, Steve Prince, says of her,
"There isn't a more creative, Dynamic teacher around than CK. I have had the pleasure of teaching with her and I learned as much as I taught. I filled my notebook with thoughts and techniques I learned while listening to CK critique our students. Her workshop is a safe place to push yourself beyond your perceived limitations while inspiring confidence in your craft."Casting Director Donise Hardy (CSA) says of CK,
"CK McFarland is an invaluable leader in our entertainment community. Over the past 8 years, I have had the privilege of working with CK and on many occasions have watched her film students work at Alleywood. I am always impressed by the growth I see. "And you can even catch some of CK's work on YouTube (clip embedded below, and recorded before the recent passing of Texas film and interactive incentives legislation).
Every actor should be on set or in class all of the time -- regardless of our level. Austin has a great coaching pool, and a sub-set of those folks are of some of the best, most passionate mentors with which I've been blessed to know. I mention many of them regularly in this column. And Mona and CK are two more of the greats.
Let me know if you need either of their contact information.
Efficient favorinepotism
What initially grabbed me was this quotable nugget:
"That, in short, is why people who like to work together like to work together. Call it favoritism. Call it nepotism. Call it a closed network. What it is is an efficient, familiar, easier way of doing business when every second counts (and costs a bundle)."In a nutshell, a great summary of personal and professional dynamics -- People like to work with people they like, and time is money.
A lot of the post resonated with me for several reasons. Bonnie touches on research, active listening, confidence, authenticity, and other topics that fall pretty close to where I live, and, frankly, are staples of good business networking, regardless of vertical market. (For more on my take on authentic networking, see this previous post of mine -- one of my most read and most republished.)
You've probably heard, "It's not what you know, it's who you know." I actually think it's "what you know and it's who you know".
It can be pretty frustrating to lose out on a gig or a job because they auditioned or hired someone they knew, rather than you. But it's a great thing when you're the person they know.
I'm sure we've all wanted to instant chemistry with someone at some point or another. Think of that personal or professional contact that you really wanted to get to know better, after a "non-sexual professional flirtation" (Bonnie's words) interaction.
It's not like you can force chemistry, or this "relational shorthand" thing Bonnie talks about -- no matter how much you want to. Sometimes it works and sometimes it doesn't.
Here's a quick positive and negative example from me.
On the positive side, I've always felt like in order to be "full", I need a complete set of mentor relationships around me. These can be on the relationship, spiritual, professional, creative, personal, or hobby side of life (or best, all of them). That means I actively seek out mentoring more junior folks, hanging around peers that encourage me and hold me accountable on what I can do, and meeting with someone who mentors me.
I met a guy who talked about things he struggled with that I struggle with. He showed video clips from and talked about my same favorite movies. He was a comic book fanatic. He was a toy appreciator. He was a small business entrepreneur. He was in life where I wanted to be in 25 years (with the important stuff; not money or recognition or any of the transients).
So I asked him to be my mentor. Thankfully, he said yes, and we've been meeting formally, seeing movies, and going to things like Comic-Con for almost 7 years.
On the negative example, there's a writer whose work I really like. Later I ran across his bio and some of his Web postings, and saw he had been reading, watching and listening to some of the exact same stuff at the exact same time I was (William Shatner, Johnny Cash, Death Cab for Cutie, Brian Vander Ark, Sandman, the Firefly boxed set, Batman the Animated Series, and so on).
I thought, "This guy's a lot like me -- a professional creative with great stuff of his own inspired by some of the same stuff I am; I want to know him."
I met him at a professional conference. He didn't know I was an actor, and he spent the entire time during a panel badmouthing actors. Not only was he vitriolic, the stuff he said wasn't opinionated -- it was false (and he was disrespectful of the panel members' time).
For a bunch of reasons, I still wanted to work with him, and with his company, so I hit him up for work (my clients know I generally introduce myself in creative ways). I then found he was making fun of my submission and deriding me within his company.
That's unfortunate by itself -- it dis-incents me from wanting to work with him -- but worse, because he's been unknowingly badmouthing me with people with whom I do have good rapport (which is how I know), which hurts him within his own company. I feel bad for him.
To be fair, I know I've probably been a version of an "unapproachable chemistry guy". I've received feedback in the past that I'm so focused and making so many things happen in the business world, or being so passionate and black and white with things like beating my "do the right thing" drum, it can be a bit intimidating to folks who don't get the chance to know me more personally. Because I care about improving as a person, that's feedback I take pretty seriously, and look for ways to to improve how I interact with folks in those contexts.
And there are some relationships (business and professional) where the chemistry just isn't there, for any number of reasons.
Anyway, those are some thoughts from me. But check out Bonnie's full post over at The Actors Voice.
Huh, I snuck some original content in there, anyway. ;-)
Monday, August 20, 2007
Which new headshots?
It's time for me to get with the times, and attack the acting world with new my color headshots.
Question is, which to go with? Getting good headshots is tough. Picking good headshots after they're taken is probably tougher.
So, in a move sure to raise eyebrows and get comments, I'm asking you to vote on my theatrical and commercial headshots.
Do you know me? Which headshot looks like some version of the actor you know?
Don't know me? What headshot grabs your attention, and is "cast-able"?
Are you in the Biz? What do you like or dislike about each headshot?
Not in the Biz? That's fine -- same question (thought if you're not in industry, hold off on comments or critiques that're likely already taken as a given; yes, these are low-res, and they're un-retouched, and they can all be cropped differently, etc.).
Take a look at the two groups of headshots below, and send me a note (here) letting me know which Theatrical and which Commercial headshot you like. You can also send me comments.
Theatrical:


Commercial:




This isn't reality TV, so your votes won't necessarily determine which mug of mine casting directors are going to see -- I'm just looking for (and value) input. There are other headshots in the running, and other factors such as agency input, preferences of target clientele in the pipeline, and which way the Biz wind is blowing at any given moment. These are unretouched shots.
All headshots are by my photographer, Rhea Willis (http://www.rheawillis.com/).
Sunday, August 05, 2007
Comic-Con: Sunday
- Countdown to Comic-Con 2007!
- Just landed in San Diego
- Comic-Con sum-up ...
- Comic-Con: Wednesday
- Comic-Con: Thursday
- Comic-Con: Friday
- Comic-Con: Saturday
This was a short day, and we spent it basically just trying to make the most of the Exhibit floor. I talked to some more companies and individuals, looked for last minute schwag, and tried to help my buddy find some gift for his girls (I was useless).
Toys:
I took a few quick picts of the new DC toys from Mattel, sculpted by the Four Horseman , and looked longingly at the Hasbro Legends series 3 and 4 stuff one last time.
Other Cool Stuff:
What Sucked:
Having to leave. Oh, and our Dallas connection getting canceled; but I spun on a dime and got us to Austin ... by way of San Jose. An hour later, but at least we got home.
Pictures:
Twitterings:
(Reverse chronology.)
- Coming down to the real world ... 01:31 PM July 30, 2007 from web
- Posting Comic-Con video game links: http://tinyurl.com/2vnwth 01:18 PM July 30, 2007 from web
- Posting the first of my Comic-Con summaries: http://tinyurl.com/2ykqc9 12:56 PM July 30, 2007 from web
- Back in Austin. Dowloading Xbox Live Comic-Con content I missed while away. 12:38 AM July 30, 2007 from web
- "Amazingness" holds (so far). Delayed SJ to Austin flight, but at least it's not cancelled! 07:46 PM July 29, 2007 from web
- :- 05:09 PM July 29, 2007 from web
- Dallas flight cancelled. I am _amazing_ and have secured an alternate flight. 05:08 PM July 29, 2007 from web
- Looking at 4 generations of Nintendo Gameboy in use as people wait for the flight. I see one PSP. 04:16 PM July 29, 2007 from web
- Best marketing move at Comic-Con? Dark Horse free bags for swag. Bright yellow, & all over the city & airport. 04:10 PM July 29, 2007 from web
- Looking at a audition details for Tuesday morning. 03:07 PM July 29, 2007 from web
- Heading home from Comic-Con. Bittersweet. 01:35 PM July 29, 2007 from web
- Talking to Steve Lieber about "Whiteout". 01:02 PM July 29, 2007 from web
- Being followed by @Celebrity Watchdog. 11:41 AM July 29, 2007 from web
@luge Congrats! 11:39 AM July 29, 2007 from web in reply to luge - Getting ready to make the most of my last day on the Comic-Con show floor. 11:38 AM July 29, 2007 from web
Comic-Con: Saturday
- Countdown to Comic-Con 2007!
- Just landed in San Diego
- Comic-Con sum-up ...
- Comic-Con: Wednesday
- Comic-Con: Thursday
- Comic-Con: Friday
(Sorry for the delay; been wicked ill; as you were.)
Comic-Con on Saturday (July 28) was (oddly) less crazy than Friday. Maybe we just got used to the crazy.
And Saturday was fun. My buddy and I split up first thing, and he went to the Avatar panel while I hit the Exhibit floor to introduce myself to companies and individuals, meet up with folks I'd only previously known via Email and phone (like Mark Irwin, co-creator behind multi-format property Jack Secret; pitched as "Harry Potter meets Johnny Quest"), talk to a bunch of folks on Artists Row, pick up that Leinil Francis Yu signed Captain America "The Return" poster I'd eyed the day before, and so on.
Panels were great this day, too. The Marvel Spider-Man and Smallville panels, in particular, were what I expect panels to be. Poppy, unexpected, with panelists jumping in and out of conversations, having fun, and knowing their stuff.
Toys:
I picked up the "Ramathorr" figure from the Four Horseman's Seventh Kingdom, to complement the "Gauntlet of Vaskkh" figure with which I'd been gifted the day before. They guys offered to sign it, and were surprised when I told them I was actually going to take it out of the box for display.
Hasbro also added a bunch of their Marvel Legends series 4 figures to their show floor display case, so I snapped some picts of those, as well as their upcoming Japanese-derivative, 6-inch figures, which nonetheless look cool.
Panels:
The Marvel Spider-Man panel was a blast. It included writers, editors, and artist Dan Slott, Zeb Wells, Bob Gale, Marc Guggenheim, and Phil Jimenez, with Joe Quesada moderating. The panel was snappy, fun, well-moderated, and the guys are obviously having a blast (and taking seriously) the Spider-Man "One More Day" arc, then 3-times-monthly change-up. Writer Marc Guggenheim and artist Phil Jimenez are now exclusive to Marvel, and I felt bad that Jimenez let slip who makes out alive between Mary Jane and Aunt May.
And Dan Slott? Perhaps one of the funniest panel members I've seen. He was hilarious, punny, and having a lot of fun with the panel, and the absolute thrill ride that writing Amazing Spider-Man affords.
I also attended the GameTap "Re/Visioned" panel, consisting of Jim Lee, Warren Ellis, Peter Chung, Gail Simone, and Brian Pulido, and moderated by GameTap's Ric(k)ardo Sanchez. I'm really liking Simone's down-to-earth take on female empowerment, and it was fun to watch part 1 of Ellis's 3-part arc, at the same time he got to see it.
I also got to chat with Peter Chung and tell him "thank you" for the animated Æon Flux, and give him my voice demo. Very quiet, pleasant person. I was also able to meet the producer behind the Re/Visioned series, and let him know I was impressed with it.
The there was the Warner Bros. Smallville panel. Again, how I think a panel should be -- a lot of back and forth, people jumping in and out, playful, sexy people (Seriously -- Hartley? Vandervoort? Morris? Durance? Gough? Millar? Wow -- wicked sexy, all). The funniest exchange happened during the Q&A when a fan asked Hartley and Durance how they prepare for their steamy scenes -- and both of their spouses (and Hartley's daughter) were in the front row. Good feedback on the professional side of the preparation, though.
This panel was also a great example of how you video summarize an entire series, and tease the next season. Serious kudos to whoever pulled that off.
Other Cool Stuff:
Talking with Leinil Francis Yu and getting the signed Captain America "The Return" poster?
Meeting writer/creator Mark Irwin in person and being the first to see the new Jack Secret preview art?
Talking with Peter Chung (and saying "thanks" for the animated Æon Flux; and giving him my voice demo)?
Chatting with artists like Chris Batista & Tom Nguyen?
The incredible (and incredibly redeeming) Marvel Spider-Man and Smallville panels?
Getting to meet and say thanks to Scott Porter in person for Friday Night Lights?
What Sucked:
Not having mentally linked clones of myself to run around the exhibit floor and attend all of the panels. Seriously, that's a good use for mentally linked clones.
Oh, and I was stuck in the Smallville line for forty-five minutes with a real-life, unfunny version of The Simpsons Comic Book Guy. Dude seriously hated every comic book arc since 1969, and every comic book TV show or film that didn't have George Reeves. I politely engaged him for 40 of those minutes, and expressed my opinions counter to his, until he started belittling someone in line merely for being born in 1982. I then told him I didn't understand why he was at Comic-Con given that he hated everything, and that we could either talk about something he actually liked about comic books, or something other than comic books. He stopped talking. Very sad, really.
Pictures:
Twitterings:
(Reverse chronology.)
- Chatted with Scott Porter (Jason Street on "Friday Night Lights") today. Turns out we share things in common. 12:03 AM July 29, 2007 from web
- @GabrielleSays Phil Morris. He is sooo cool. Super grateful about his gigs. Super articulate. 11:57 PM July 28, 2007 from web in reply to GabrielleSays
(This is the END of the "Smallville" season 7 panel.)
(GabrielleSays was asking who "Phil Mor¬" from my truncated Twitter post was.) - #&-!$+!! m.twitter truncation! 09:11 PM July 28, 2007 from web
- Phil Mor¬ 09:09 PM July 28, 2007 from web
- Girls love Justin Hartley ... 09:07 PM July 28, 2007 from web
- Supergirl (Laura Vandervoort) joins the "Smallville" cast. 09:06 PM July 28, 2007 from web
- At the "Smallville" season 7 panel. _That's_ how you tease a new season. 09:04 PM July 28, 2007 from web
(This is the START of the "Smallville" season 7 panel.) - Looking at the "Iron Man" movie gray (1st set) armor reveal. Impressive. 08:16 PM July 28, 2007 from web
- Getting another Four Horseman figure. I may be have a problem ... 08:13 PM July 28, 2007 from web
- I'm impressed with how talented and nice all the GameTap folks are. 07:33 PM July 28, 2007 from web
(This is the END of the GameTap "Re/Visioned" panel.) - Peter Chung, animator Robert, and GameTap producer Elliot all have my voice demo. 07:32 PM July 28, 2007 from web
- Preview of all "Re/Visioned" (Tomb Raider), and Ellis's part 1. 06:57 PM July 28, 2007 from web
- Chung criticizing U.S. animation division of labor. (In Korea, everyone is a generalist.) 06:52 PM July 28, 2007 from web
- Chung talking his process. 06:51 PM July 28, 2007 from web
- Gail Simone's phone just went off. 06:48 PM July 28, 2007 from web
- Ellis's episode builds on british adventurism tropes. 06:43 PM July 28, 2007 from web
- Mike's script is political. "Hey, there's politics in my entertainment!" 06:42 PM July 28, 2007 from web
- Brian Pulido's episode is a comedy. Nice. 06:41 PM July 28, 2007 from web
- Jim Lee is top-notch at saying why his style isn't animation friendly, and who at Wildstorm is. 06:41 PM July 28, 2007 from web
- Gail Simone's Tomb RaideH 06:39 PM July 28, 2007 from web
(Should read, "Gail Simone's Tomb Raider is the anti-Laura -- 12 years old, pre-pubescent, and chestless.") - -- because it was shooting up the Vatican. 06:38 PM July 28, 2007 from web
- Peter Chung's version of the Tomb Raider Buddhist temple shoot-em-up was rejected -- 06:37 PM July 28, 2007 from web
- Peter Chung deftly deconstructs the Tomb Raider template, and turned it on its ear.
- Peter Chung did this because it was a "chance to practice my craft... under ideal conditions". 06:32 PM July 28, 2007 from web
- Realizing Warren Ellis never returned my Email ... 06:31 PM July 28, 2007 from web
- Joke about Jim Lee being late ... to the panel. Yeah, _just_ the panel ... 06:27 PM July 28, 2007 from web
- Warren Ellis's phone just went off. 06:26 PM July 28, 2007 from web
- -- but they're a 06:25 PM July 28, 2007 from web
(Should read, "--but they're all in one place!") - I am a fan of Jim Lee, Warren Ellis, Peter Chung, Gail Simone, and Brian Pulido individually -- 06:24 PM July 28, 2007 from web
- Attending ready the GameTap "Re/Visioned" panel. 06:20 PM July 28, 2007 from web
(This is the START of the GameTap "Re/Visioned" panel.) - _That's_ how you do a panel ... 06:15 PM July 28, 2007 from web
(This is the END of the Marvel Spider-Man panel.) - That Marvel Spider-Man panel was a hugely redeeming Comic-Con / panel experience..... 06:13 PM July 28, 2007 from web
- Noticed among multiple comic panels, hot artists are younger, hot writers / editors are older ... 06:05 PM July 28, 2007 from web
- 12-year-old fan awesomely rips "Iron Spider" costume ... 06:01 PM July 28, 2007 from web
- Writer Dan Slott is sooo funny ... 05:54 PM July 28, 2007 from web
- Bob Gale surprised by geek letter he wrote to Marvel in "Tales of Suspense" #93, 1967. 05:52 PM July 28, 2007 from web
(I have a copy of this issue; and the letters.) - The Spidey decision (one team, one _complete_ arc) is a brilliant Marvel marketing move ... 05:39 PM July 28, 2007 from web
- ... but I had a preview discussion with someone, so I know ... 05:35 PM July 28, 2007 from web
- Petey is on the outs with Jameson / Bugle, so people are wondering about a camera in Jimenez art ... 05:33 PM July 28, 2007 from web
- Looks like Jimenez let slip who survives out of MJ and Aunt May ... 05:28 PM July 28, 2007 from web
- Slide slip shows Guggenheim as exclusive ... 05:26 PM July 28, 2007 from web
- Jimenez is exclusive to Marvel (announced yesterday) ... 05:23 PM July 28, 2007 from web
- Slott, Wells, Gale, Guggenheim, and Jimenez are one the panel, and Quesada is moderating ... 05:21 PM July 28, 2007 from web
- And Larroca. And I meant McNiven. I know. I'm twittering, give me a break. 05:16 PM July 28, 2007 from web
- New Spidey creatives Jimeniz, Niven, Bachalo ... 05:11 PM July 28, 2007 from web
- New Spidey creatives Dan Slott, Zeb Wells, Bob Gale, Marc Guggenheim ... 05:08 PM July 28, 2007 from web
- At the Marvel Spider-Man panel ... 05:04 PM July 28, 2007 from web
(This is the START of the Marvel Spider-Man panel.) - iItandIn You are absolutely right! ;-) 04:06 PM July 28, 2007 from web
(This was supposed to be "@StandIn You are absolutely right! ;-) "; he was saying my "overheard" comment earlier should be the start of an "Overheard at Comic-Con" reveal.) - Grabbing a bite at The Tin Fish ... 04:03 PM July 28, 2007 from web
- Buying a print from Allen Berman, Living Legend (Timely Comics) ... 01:41 PM July 28, 2007 from web
This is should be Allen Bellman; my sincere apologies for miss-spelling his name.) - Great meet-n-greet with Mark Irwin & his daughter. Super nice guy ... 01:40 PM July 28, 2007 from web
- Great talk with Chris Batista & Tom Nguyen ... 01:14 PM July 28, 2007 from web
checking out the Sierra booth ... 11:40 AM July 28, 2007 from web - Overheard from girl on phone: "Yeah, I'm fine. I'm at Comic-Con and I have boobs." 11:10 AM July 28, 2007 from web
- Waiting in line for the Exhibit floor. Ballroom 20 line is insane. Supposed to meet a writer for Biz work ... 11:08 AM July 28, 2007 from web

