I went to an agency party last night ("Kick the Holiday Blues") for folks represented by 
Collier Talent Agency, their family, and friends in the Biz.
The thing was a great networking opportunity. I'm great at networking, but I work hard 
not to network. Don't get me wrong -- networking is extremely important, and you’ve gotta do it to make it in the Biz. What I try 
not to do at things like this is be a user of people or be disingenuous (“I’ll call you” (when I don’t intend to call); or “I’m writing a part for you in my screenplay”; or whatever).
What I 
do like is connecting with people – getting back together with people I know and like, seeing what’s big in their world, hearing about their successes and being able to encourage them in their challenges. I enjoy meeting new people, and learning about them and what makes them tick.
I wasn’t really looking forward to last night, and was understandably distracted, but I ended up having a great time.
At risk of leaving some people out (and misspelling names of folks for whom I don’t have business cards), here’s a quick spin through who I met and with whom I reconnected.
I drove down to new bar and scene of the event 
The Peacock with acting buddy 
Aaron Hallaway (check him out in the play 
Irene is a Cactus starting January 18). And after letting our agent 
Heather Collier know we’d arrived, I first hooked up with a friend I’d invited, 
Melissa Holmes (probably one of the most talented people you don’t know) before she had to duck out for the rest of her super packed night on the town. I then bumped into 
Deana Ricks, who I’d met at a marketing and branding session I taught, and though somewhat new to the Biz, is doing a great job on the business and networking side of things.
I then I said hi to 
Mona Lee, the acting coach with whom I did some of my first film training. (If you’re an actor in Texas and don’t own 
The Biz Directory, stop reading, 
go here, and order it. Then in your thank you note to 
Mona, you can ask her forgiveness for not having bought it earlier.) 
Mona also introduced me to 
Lee Peterson, who I understand is a talent manager/coach.
I hugged 
Richard Ricks, long-time acting pal (since The Mastery days), who I really like, and not just because he bought my beers last night.
Aaron then introduced me to 
Chris Kreager and his wife 
Julie, friends he’s been wanting me to meet for some time. 
Chris is involved in the production side of the biz and 
Julie’s over at 
Dell. They seemed like a neat couple, and it was fun to talk to them about marriage and relationship stuff.
I then chatted for a while with 
Leigh Green, who I hadn’t seen much since she moved on from 
CastingWorks LA to pursue production stuff.
Then my current film coach (and The Mastery mentor), 
Van Brooks showed up, and I made sure to get caught up on him. I also spent a bunch of time with the wonderful 
Emma Little, a mainstay in the Austin music scene. We had a great, long chat about everything from 
ZZ Top and 
Jimmy Vaughan to the Austin Independent School District and the Foster Home system. 
Emma’s a neat, gracious woman, and I really enjoyed the chat.
I got to talk with former classmate 
Tom Procida (check him out in the local 
Shades of Life soap opera starting tonight – probably Cable Access 10).
I also got to chat with 
Doran Ingrham, who’s look I just love, and has done a ton (with a few other folks) to meet the film networking/social need in this town with the now bi-weekly 
Film Social Mixer. Plus, the guy’s just a pleasant conversation, and I’d love the chance to see some of his work, and work with him. I think I could learn a ton.
I saw 
Devin Moss (also in 
Irene is a Cactus starting January 18), who wrote and directed the second film I was in, 
SAK-600.
I hung out for a few with one-time classmates 
Rommel Sulit and 
Elizabeth Mason. 
Rommel is joy to watch work (and the dude works hard, and recently came back from 
Steppenwolf Theatre Company in Chicago), and 
Elizabeth brings new meaning to the word “commitment” in her performances.
I got to hug on 
Erin Fallon (who is so sweet and gorgeous) and 
Charissa Allen (who was in the first film I ever did), classmates 
Chris Osborn, 
Anika Kunik (look for her next film hopefully at 
SxSW and other festivals), and audition partner 
Katherine Willis (“chiffon wrapped around a crowbar”).
I also finally got meet fellow Collier talents 
Andrew Ruth and 
Jett Garner.
And I met 
Michelle Taylor and 
Bryan Rice, a couple of folks (along with 
Doran) who are working to expand the 
Film Social Mixer into something even more cool and useful.
I even touched base with 
Gary Chason, who I’d really like to do a bunch more with.
And casting director 
Beth Sepko said 
she liked my Christmas gift.
So, overall, the evening was really enjoyable, with a few setbacks. There are definitely a superficial folks in this world, but I did a good job of avoiding the wonderfully few of them in attendance last night. Also, I try to keep my Biz and private life very separate, but there were some details of the latter that came out with a few folks last night, and were evidently startling enough to work through several conversational circles like a little wildfire. Ah, well, it is what it is.
Overall, a good night.